Visar inlägg med etikett Tenorer. Visa alla inlägg
Visar inlägg med etikett Tenorer. Visa alla inlägg

lördag 6 oktober 2018

söndag 4 september 2016

GÖSTA WINBERGH (1943-2002), tenor




Svenska Dagbladets operapris (1985), Hovsångare (1988). Litteris et Artibus (1993), Ledamot nr 894 av Kungliga Musikaliska Akademien (1994), Jussi Björlingstipendiet (1994)
Kammarsångare (2002)


Erik (Den flygande holländaren)
(Lohengrin (Lohengrin)
Siegmund (Walkyrian)
Walther von Stolzing (Mästersångarna i Nürnberg)
David (Mästersångarna i Nürnberg)
Tristan (Tristan och Isolde)
Parsifal (Parsifal)



Recensioner

Tim Ashley: Die Meistersinger von Nürnberg, Gustafson/ Winbergh/ Tomlinson/ Allen/ Royal Opera Chorus and Orch/ Haitink (The Guardian)

Ewan McCormick: Die Meistersinger von Nürnberg Die Meistersinger von Nürnberg, Gustafson/ Winbergh/ Tomlinson/ Allen/ Royal Opera Chorus and Orch/ Haitink (MusicWeb)

Horace Engdahl: Aldrig är Wagner närmare himlen än i ”Lohengrin” (DN.kultur)

Göran Forsling: Great Swedish Singers series on (MusicWeg)
The sixth singer here, Gösta Winbergh, belonged to a later generation than the others and tragically died all too early while still at the top of his trade. He started as a quite lyrical singer, much sought after as a Mozart interpreter of exceptional elegance. During the 1990s he moved over to heavier fields, adding Lohengrin, Walther von Stolzing, Parsifal, Tristan and Siegmund, roles that are not represented here. There is however a Sony disc where we get central parts from Lohengrin and Meistersinger. Here we hear him, besides three excerpts from his 1971 debut as Rodolfo in Gothenburg, in Mozart, some French repertoire and a duet from Nielsen’s Maskarade, an opera in which I admired him very much. Also there are two scenes from the aforementioned Meistersinger, where he was a lively and eager David. At the time, Leif Aare wrote prophetically in Dagens Nyheter that in ten years time he will be a great Walther. Considering Winbergh’s very lyrical voice in 1977, I much doubted this prophecy, but Aare was right and few tenors of the day, Heppner and Domingo apart, could challenge him. In due time I hope Bluebell will be able to produce a disc with the "mature" Winbergh. As it is we have him here as the very fine lyrical tenor from which he started.

Fredrik Rundkvist: Operasångaren Gösta Winbergh död (Aftonbladet)

Andra länkar:



Lohengrin





Die Meistersinger von Nürnberg








fredag 29 juli 2016

DANIEL FRANK, tenor




Uppsala kommuns kulturstipendium 2010
Folkoperans vänners soliststipendium 2010
Birgit Nilsson stipendiet 2012
Den Nordiska Första S:t Johannislogen Jubelfond 2012
Operavännernas Brodin stipendium 2013
Operans solisters Set Svanholm stipendium 2014
Tidskriften OPERAs Operapris 2014

Repertoar

Nuvarande: Tannhäuser, Lohengrin
2016-2017: Siegfried, Götterdämmerung








Lohengrin



Tannhäuser






söndag 10 januari 2016

TORSTEN RALF, tenor (1901-1954)





Diskografi


Recensioner

Alan Blyth: Torsten Ralf (1901-1954) - I (Gramophone)

Lemnitz joins Ralf again for the single pre-war item, the only one commonly found in its original 78rpm format: the duet from Lohengrin. Though Volker and Muller are superior in this music, this pair runs them a close second, particularly good at conveying the intimacy of the occasion. Ralf's Walther was heard in the complete pre-war Dresden Die Meistersinger Act 3 under Bohm on HMV (now available on Pearl—to be reviewed later), and also in the Prize Song from a 1936 Covent Garden performance under Beecham (Dutton Laboratories, 6/94). The ''Fanget an'' here adds nothing much to our knowledge of his interpretation of the role.'

Audio/Video

Lohengrin




Parsifal


Der fliegende Holländer


Tristan und Isolde



Die Meistersinger von Nürnberg



söndag 13 december 2015

TENOREN SVEN-OLOF ELIASSON ÄR DÖD (1933-2015)



Recensioner


Kultur & Nöje: Tenoren Sven-Olof Eliasson död (DN)

Kultur: Tenoren Sven-Olof Eliasson död (Corren.se)

Andra länkar

Gottfried von Strassburg: Sven-Olof Eliasson (1933-2015), tenor (Wagner i Sverige)

Gottfried von Strassburg: Die Meistersinger von Nürnberg, Stockholm, 1977 (Wagner i Sverige)




lördag 10 oktober 2015

SET SVANHOLM, tenor (1904-1964)



Vasterås (1904)
Saltsjö-Duvnäs (1964)


Hovsångare 1946, Innehavare av det med anledning av Hans Majestät Konung Gustaf V:s 90-årsdag instiftade minnestecknet, Ledamot av Kungl Musikaliska Akademien 1953, Litteris et artibus 1957, Riddare av Nordstjärneorden, Riddare av Vasaorden, Officer av Ungerska Kronans orden.





RECENSIONER

Stefan Johansson: Parsifal i Malmö (Kultur)
Robert Benson: Set Svanholm sings Wagner (Classical cd review)
Edmund St. Austell: Set Svanholm: The many sides of a great musician (Great Opera Singers)
Robert Levine: Furtwängler’s ’50 Scala Ring – Remastered (Classics Today)
Henry Fogel: Furtwängler's 1950 Ring Cycle Part 3: Siegfried (Pristine Classical-Fanfare)
Geoffrey Riggs: Tristan und Isolde (Fireangel)
Opera Cast: Partial overview of a few Tristans (Geoffrey Riggs)


BÖCKER

Marie-Louise Rodén: Mästersångaren från Västerås : Set Svanholm (Atlantis)


Rienzi


Tannhäuser




Lohengrin




Loge (Rhenguldet)


Siegmund (Valkyrian)






Siegfried (Siegfried)







Siegfried (Ragnarrök)





Tristan (Tristan och Isolde)


Walther von Stolzing (Mästersångarna i Nürnberg)





söndag 13 september 2015

lördag 20 juni 2015

HELGE BRILIOTH, tenor (1931-1998)


Diskografi

Audio/Video


Parsifal Akt I (Misha Horenstein)




Parsifal Akt II (Misha Horenstein)




Parsifal Akt III (Misha Horenstein)



Tristan och Isolde Akt II (Opera Depot)

Ragnarök (Liederoperagreats)



Die Walküre Akt I

lördag 16 maj 2015

LARS CLEVEMAN tenor





DISKOGRAFI:


RECENSIONER

Lennart Bromander: Ttistan und Isolde, 2012 (Götteborg)

Lars Cleveman imponerade stort i detta för de flesta tenorer övermäktiga vokala hinderlopp, och hans insats lyftes genom Lanos känsliga friläggning av Wagners sagolikt rika musik.

Mike Ashman: Götterdämmerung, Manchester 2010 (CD)

Brian Wilson: Götterdämmerung, Manchester 20010 (CD)

Lars Cleveman is a thinking, tragic Siegfried, well matching his conductor’s conception of the work.

Josmar Lopes: Götterdämmerung at the Met, 2013 (New York)

Swedish tenor Lars Cleveman was a light-voiced Siegfried, boasting fine delivery and excellent enunciation, mixed with a slightly nasally texture. He sounded sufficiently like Jay Hunter Morris (who sang the first round of Siegfrieds) to fit into the general scheme of things. Cleveman showed stamina and strength in his Act II oath, as well as wonderfully clarion tone in his emotionally satisfying Act III narrative. The voice stayed fresh and true throughout, which is a marvel in this day and age. We’ve been blessed with a bevy of fine heldentenors lately, which is a most welcome trend I have to say.

Göran Försling: Siegfried, 2006 (Stockholm)

Lars Cleveman has sung a wide variety of roles through his career, which also includes working from time to time with his own hard-rock band. Last December he was a good Des Grieux in the new Stockholm production of Manon Lescaut and he can be heard to good advantage in the title role of Don Carlo from Stockholm on a fine Naxos recording. He is no newcomer to heavy Wagnerian parts either. Four or five years ago I heard him as Tristan in the little theatre in Karlstad in western Sweden. He impressed greatly then, untiring until the very end of that gigantic part. But Siegfried is just as big and in the far larger opera house in Stockholm and with a full-size orchestra he once or twice sounded just a little too small – but I stress: only occasionally. In general, looking like the sulky teenage gangster that Siegfried certainly is, he executed the part with aplomb, his steely tenor cutting through the orchestra like a welding flame. But he also showed another side of the character; after all, Siegfried has some human sides too, especially when he, in the Waldweben scene, wonders about his mother. Then he expressed this with warmly lyrical outpourings that not every Heldentenor could manage.

Paul J. Pelkonen: The Met presents the last Götterdämmerung of 2013 (New York) 

Her Siegfried was the Swedish tenor Lars Cleveman. He displayed a bright, ringing upper top that (in the first scene) turned shrill under pressure. Mr. Cleveman sounded best in the lower parts of this long role, improving as the opera went on. (His baritonal coloring made him quite convincing when disguised as Gunther.) He capped his performance with an entertaining Rhinemaiden scene, a movingly sung Act III narrative and death scene guaranteeing the hero a fine exit and enthusiastic applause.

AUDIO/VIDEO

Eliasson Artists

Youtube

Siegfried (Martin Rössel-Dimitrovajunkie)





Götterdämmerung (Landesteater Linz)



Parsifal (2014brb87)