Biografi
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Diskografi cd/dvd
House of Opera
Premiere Opera
Priser och utmärkelser
Recensioner
Castelucci's Parsifal in Brussels (Opera Cake)
I did not know Anna Larsson before, except for her Fricka in The Ring by La Fura dels Baus, so she was actually my surprise of the day in Brussels. At first her voice appears as velvety mezzo (close to Nadia Krasteva), and then in Act-2, all of a sudden, she reaches to a high register and her voice almost changes completely -- it changes in color, becomes very luminous, but very plain. To that add her growing intensity that was more than welcome dramatically, and you have a girl who rocks in her first take on Kundry. BRAVAGeorge Loomis: Wagner, Sleek but Deep (New York Times)
She was vivid in her confrontation with Parsifal and dealt with the upper reaches of the music excitingly.
Andrew Clemens (The Guardian)
Göteborgs Symfoniker (GP)
Audio/Video
Isoldes kärleksdöd (Tristan och Isolde)
Erdas varning (Rheinguldet)
Siegfried (Erda)
Parsifal (Kundry)
Parsifal (Kundry)
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